By Jim McLaren
For the Oregon Beer Growler
“This is a man's world, this is a man's world
But it wouldn't be nothing, nothing without a woman or a girl”
Erika Huston has a good, throaty laugh, and on a sunny April afternoon it’s bouncing around the empty Logsdon Barrel House & Taproom on Fourth Street in Hood River as she says, “I knew you’d ask me something like this.”
The question is — what does a woman bring to the beer business that a man doesn’t? “Without sounding sexist,” Huston begins, “I think women bring a maternal instinct, a maternal quality, of wanting to take care of people and make sure they’re happy. I also think we’re used to cooking, so our palate is a little better.”
How Erika Huston worked her way into managing the Logsdon Barrel House has to do with her history with Oregon beer. “I started drinking beer when I was (mumble) years old,” she said with another hearty laugh. “I was canvassing for OSPIRG (Oregon Students Public Interest Research Group) in Eugene. Henry Weinhard’s was considered craft beer back then. I tried my first taste of Blue Boar and I was, WOW, I didn’t know beer could taste like this. My dad drank mostly Old Milwaukee and Hamm’s.”
Huston moved to Portland in the early ‘90s and her palate took another jolt. While Widmer Brothers Brewing, Pyramid (formerly Hart Brewing) and Portland Brewing Company were growing fast, Huston was finding something with a different taste than what they were offering. “What really did it for me was when I had my first taste of Belgian beer. I have an older brother who is very passionate about beer as well. He’d been to Belgium and we went to Belmont Station and bought a few bottles. I tried a Duvel and it just blew my mind. I was like, ‘This is not beer. What is this?’”
The strong, golden ale would fire a passion taking Huston to the front door of her beer career. In 2004, the Concordia Ale House opened in Portland and Huston knew where her future lay. “They were very Belgian-centric at first. I thought, I have to work here.” Quickly, she took her beertending skills from Concordia to County Cork Public House and on to Saraveza. She found her way to Saraveza, the North Portland temple of all things beer, because a friend worked there. She hung around so much that it was just logical to ask for a job. Impressed by Huston’s background, her growing knowledge of beer and her passion, Saraveza owner Sarah Pederson immediately hired her.
The job became Huston’s graduate school, a place where beertenders do more than just pull you another draft. “Definitely, yeah, you have to be very knowledgeable about all of the things coming out. It’s overwhelming because – especially if you work in a craft beer bar that has rotating taps – there are things coming from out of state, there are constantly new breweries opening in Portland and Oregon. So, yeah, you have to be on top of your game. And, you also have to really get to know your customers; what their taste is, what they would like to see, like to try.”
Huston’s six-year stay at Saraveza was a golden time for the shop. As beer buyer, she helped it earn national attention as one of the 100 Best Beer Bars in the country as chosen by Draft magazine. She says selecting which beers fill the Saraveza coolers and come from its taps “is a constant balancing act. I refer to it more as a Tetris game. You’ve got these spaces to fill and you’re trying to make sure they all fit together like the pieces of a puzzle. You don’t want to have all of one style that you’re sticking with. You want to try and satisfy as many palates as possible.”
This is when those maternal instincts come into play. You have an audience you want to serve, but you can also serve the beer makers, especially the new ones who need to get into your shop.
“That was the biggest challenge for me, the biggest hurdle to overcome” she says. “You could smash someone’s dreams. It’s a very personal thing, to make beer. You have someone who is just starting a brewery. They’re coming to you and want you to try something. So I just learned to be very constructive and just be honest and say, you know, ‘I think that this could be good if you maybe tried a different variety of hop.’” Huston’s philosophy builds loyalty with the beer makers and the beer drinkers.
Looking at it from outside, it seems obvious now. Huston and Saraveza couldn’t last. As Sarah Pederson says, Huston made a lifestyle choice, but also a beer-style choice.
“I have roots in the area,” Huston says about Hood River. “I have a lot of friends who work at the breweries out here and I was coming out here to go camping or visit them it seemed like every other weekend during the summer. In the back of my mind I always wanted to move. But until I was offered this job, I didn’t have the fire lit under me to make it happen.”
The job offer also brought her back to the beer style she loves. “Logsdon makes all Belgian farmhouse-inspired beers,” she said. “We have a Flanders red beer. We do spontaneous fermentation, so some stuff that’s more on the tart side. We secondary ferment some stuff with fruit. Almost everything is barrel aged. And it is actually on an operating farm. The brewery is inside of a barn.”
For now, Huston is happy where she is. Such a job was one of her goals. Managing a barrelhouse allows her to be the link between beer maker and beer drinker to the benefit of each. She can take beer drinkers to places they might not otherwise go. And she can help the beer maker understand why people like — or don’t like — what they are doing. It’s a good role for a beer mother.
Logsdon Barrel House & Taproom
[a] 101 Fourth St., Hood River
By Patty Mamula
For the Oregon Beer Growler
Dave Logsdon has been a key player in the craft beer world for more than 30 years. And for all that time, Hood River has been his home base.
His involvement with Full Sail Brewing Company is well known. He co-founded the brewery in 1987 and was the main brewer for a few years. But even before that in 1985 he founded Wyeast Laboratories, selling yeast cultures and other fermentation ingredients.
His newest brewing experiment is Logsdon Farmhouse Ales, founded in 2009. The 15-barrel brewery is in the barn on his rural property south of downtown Hood River off Highway 35. “The beer is influenced immensely by the terroir,” said Erika Huston, general manager of Logsdon Barrel House & Taproom. For example, The Conversion Northwest sour ale is brewed the traditional way by allowing the liquid to cool in an open, shallow vessel, resulting in spontaneous fermentation with wild yeast.
Huston said, “Our main challenge is to educate people to the palate about this style of beer. One of the first questions we hear is, ‘What is your IPA?’ We don’t have one.”
Logsdon characterizes these beers as Belgian saisons. Traditionally, they are malt forward with some fruit tastes and a dry, tart carbonated finish. Historically, they were brewed in the winter and served in the summer to farmworkers. Saisons have a very clean finish, but are complex to brew.
Last fall, The Logsdon Barrel House & Taproom opened in downtown Hood River. The idea for a taproom evolved as the reputation of the farmhouse ales grew. The brewery on his rural property was considered agricultural land and not eligible to host a taproom, according to Hood River zoning laws.
The Barrel House & Taproom was designed to resemble a Belgian-style brasserie café. Dave’s wife Judith Bams-Logsdon, a native of Flanders in Belgium, is in charge of the menu. Huston said, “She is very passionate about food. The menu was designed to be like what you would find in a Belgian cafe, and the beer and food share complementary flavors.”
The menu includes items like broodjes, Belgian sandwiches, and croque-monsieur, toasted ham and cheese on white bread. There are also seasonal entrees, such as a classic Flanders beef stew, Belgian waffles and crepes for dessert.
“We are definitely interested in spreading the word about the Belgian food emphasis here. It’s unique. There’s nothing else like it in Hood River,” said Huston.
The taproom has 12 rotating taps; one is a guest tap. “Logsdon beers are very unique. You won’t find them regularly in Portland. People are excited about our taster trays. They like sampling what they won’t normally see.”
The four core beers, available year round on draft and in 375-milliliter and 750-milliliter bottles, are Kili Wit, Seizoen, Seizoen Bretta and Straffe Drieling Tripel. “We’ll be adding the newest one, The Conversion Wit, like the regular but with wild yeast.”
Logsdon’s ales have won several awards, including a gold for the Seizon Bretta at the 2012 Great American Beer Festival, and are now available in local restaurants. Initially self-distributed, the ales are now distributed by Maletis.
“Many people have the idea that all Belgian beers are the same. The challenge is getting people to expand their horizons,” said Huston.
She has been a fan of Logsdon’s beer for several years. She previously worked at Saraveza in North Portland as a beer buyer and coordinator of the Portland Farmhouse & Wild Festival, usually held the last weekend in March. She met Dave and Judith in 2013 and loved their beer. When the opportunity came up to manage the taproom, she took it and moved to Hood River last October.
Last summer there was talk of a sale and move to Portland that never materialized. Logsdon and company are more firmly part of Hood River than ever before. Future plans are to “become a stronghold in the community,” said Huston. Logsdon is involved with Breweries in the Gorge, which is a nonprofit that promotes the beer makers in that region. The program is similar to the Bend Ale Trail, where customers can get stamps at each brewery they visit. And even though the founder hopes to step away from day-to-day operations, he will continue to oversee quality, develop new beers and participate fully in the Hood River community.
Shaun Kalis, founder of Ruse Brewing, has a temporary home at Culmination Brewing. He met Culmination owner Tomas Sluiter at Old Market Pub & Brewery. A trust developed and Kalis found himself in a unique situation: he’s part of the Culmination team and uses that system for Ruse between production times. Photo by Kris McDowell
By Kris McDowell
For the Oregon Beer Growler
By definition a "ruse" is a trick or an act that is used to fool someone, according to Merriam-Webster. In some cases, there is malicious intent behind it. In other cases, like with M.C. Escher's impossible constructions, it is a way to play with the mind. In the case of Ruse Brewing, one of the newest to debut on the Portland brewing scene, it speaks to the mystery of the word and is a drinkable expression.
Shaun Kalis is the founder of Ruse, a transplant from Michigan whose resume includes six years at Old Market Pub & Brewery as well as stints at Cascade Brewing Barrel House and Two Kilts Brewing Co. which bookended an education at the American Brewers Guild. Like many, he remembers the beer that opened his eyes to what beer could be beyond the yellow, fizzy swill he had previously known -- a stout from Michigan-based Bell's Brewery, Inc. Known for the vast number of stouts they produce, it's no wonder that the beer had such an impact on the young Shaun and was part of what drove him to begin down the brewing path. What started as homebrewing, and self-described as "minimalist" at that, evolved into something much greater after his relocation to Portland.
The location of that move was somewhat of a random decision based on his desire to get into brewing. And while multiple cities would have sufficed, he could not have landed in a better location than Portland. Not only does the area have an incredible brewing culture, but it has the added bonus of a vibrant live music scene. Although he’s played since he was a kid, Shaun got more serious about music as an adult — taking the time for lessons and then using his skills as a guitar player in a Portland bluegrass band.
When developing the concept for Ruse Brewing, Shaun knew he would incorporate music as he feels it parallels brewing in that a song is written to speak to a particular feeling and experience in the same way that brewing a beer, for him, is speaking to something. Ultimately, Shaun would like to have a brewery/music venue where he can work with artists and musicians to create beers. In the meantime, he has found a fortunate situation and temporary home at Culmination Brewing. Shaun met and worked under Culmination founder Tomas Sluiter at Old Market and their relationship has deepened as Shaun's brewing has evolved. Rooted in their time together at Old Market is a trust that has allowed Shaun to step into a very unique situation: he is both part of the Culmination brewing team as well as an independent brewer utilizing the Culmination system between production times. As collegial as the relationship is, there are designated spaces within the Culmination facility for ingredient, empty keg and cooler storage of beers as well as a 10-barrel fermenter Shaun owns. For anyone that has experienced living with a roommate, allowing someone to have intimate access into one's personal space requires trust and communication. That is taken to a higher level when that sharing of space is in the place that houses one's livelihood and is something that speaks to Shaun's integrity as a person and competency as a brewer.
So what about the beer that Shaun is making? To begin, his year-round offerings will be Translator IPA, a citrus-forward beer with a soft mouthfeel from an English yeast, and Architect Saison, an approachable, session beer (4.8% ABV) that is dry and light in body. He wants to focus on fewer styles out of the gate so that he can be more creative with them. In addition, Shaun is adamant about quality control and committed to dumping out anything that doesn't meet his standards. As part of his role with Culmination, he is also taking over the brewery’s quality assurance/quality control (QA/QC).
Year-round beers may be a solid foundation for any brewery, but it's often the one-off and seasonal beers where brewers really get to have fun. For Shaun that fun is creating barrel-aged beers, saying "something about the oak is so romantic." At first blush, delving into barrel-aging so early on might sound limiting, but as Shaun explains it, "it gives me a buffer — time to focus on the IPA and the saison."
He anticipates the barrel-aged beers will sit for at least nine months, only being released when they're ready and if they meet his standards. The barrels he's sourced, to date, are pinot noir and Burgundy barrels from Walter Scott Wines in the Willamette Valley and spirit barrels from McMenamins and Bull Run Distilling Company. Shaun's first two barrel-aged beers will be MultiBeast and Red Saison. MultiBeast uses Ruse's own Brettanomyces strain (banked at Imperial Organic Yeast) and is dry hopped with Mosaic. Nearly ready, Shaun may debut it at Saraveza's Farmhouse and Wild Beer Festival in March, in addition to bottling it. The Red Saison won't be ready for months as it just went into barrels in December 2015, but a young sample of it shows great promise, displaying a pleasing licorice aroma with hints of leather and oak in the smooth, saison flavor.
Those looking to try out Ruse Brewing for themselves need not look far, starting with the taproom at Culmination where at least one of his beers will be part of the lineup on an ongoing basis. Beyond his home base, the new management at Great Notion (formerly Mash Tun) in Northeast Portland took a shine to Ruse, buying the first available keg in December 2015. And as a 10-year veteran of McMenamins (in a non-brewing capacity), his connections there ensured that beer can be found at some of their locations, including the Market Street Pub near Portland State University. Going beyond beer-centric spots, he's started the process to get both his IPA and Saison into Bamboo Sushi locations. He plans to be in 10-12 businesses around Portland and will be bottling the IPA and saison in 22-ounce bottles in the near future. His barrel-aged beers will be available in a 500-milliliter format.
By Jim McLaren
For the Oregon Beer Growler
For most of us, collecting beer simply means there’s a can or bottle in the back of our fridge we forgot about. Not the case, though, for the few dozen folks who lined up on a sunny September day outside the Portland Art Museum for a panel discussion on cult and collectible beers. Yep, a beer lecture, at an art museum — holy Manet!*
Held in a canopied space between two museum buildings, the “I’m in a Cult” drink and learn event was part of Feast Portland. A five-person panel did the educating and included three writers from the magazines Imbibe and Bon Appetit; Portland-based co-author of “Hop in The Saddle” Lucy Burningham; and Sarah Pederson, owner of Portland’s Saraveza Bottle Shop and Pasty Tavern.
Before the quintet pulled up their chairs and microphones, a squad of servers poured specially selected beers into wine glasses at each audience member’s seat. For our tasting pleasure:
To Øl Sur Citra, dry-hopped American wild ale (Denmark)
Crooked Stave Surette, wood-aged farmhouse ale (Colorado)
St. Bernardus Abt 12, quadrupel (Belgium)
Deschutes The Abyss, imperial stout aged in oak pinot noir barrels (Oregon)
Goose Island Bourbon County Stout, imperial stout aged in bourbon barrels (Illinois)
The richness of these beers had us licking our lips wanting more and asking the obvious question — why does anyone pass up drinking a beer so they can store it in a dark, cool place?
To answer that question, I head to North Portland’s Humboldt neighborhood, which is a cultural world away from the Portland Art Museum. There, art tends more toward graffiti, neon signs and music club flyers. I’m sitting at a table in Saraveza on North Killingsworth Street. Owner Sarah Pederson said, “the beer has to be good enough.” She continued to explain why people collect first and drink later: “People who really decide if it is going to be cultish or highly collectible are those people who are buying it. Those people — their value, the value of the beer is how they talk about it.” She said they are the ones who create the cult-building buzz.
Tyler Auton, a chef at Pasty Tavern, has a 200 bottle beer collection. “I tend to find the beer I like ages well and a lot of stuff I like is in such small quantities you really have to collect it to get it.” Auton began collecting when, at 21, he met the bartender of a Bellingham, Wash. tavern. “He was giving me tastes of these really limited beers and then invited me to a beer tasting where everyone brings two bottles and everyone shares things you can’t normally find.”
Beer is a social drink and, Pederson said, being social is how to start collecting. “Go get in line. Find a place that’s doing something special. They have a dock sale and go get in line. Talk to everybody who’s doing it. The other thing I would do is join a reserve society. Certain breweries have these reserve societies.”
The Bruery in California, as an example, releases limited-edition beers through their reserve club. De Garde in Tillamook is having a fourth-quarter release Nov. 21. Or you can get on the mailing list for a brewery like Block 15 in Corvallis. You can also build contacts online. For example, Auton managed to get his hands on a Founders Brewing Canadian Breakfast Stout by reaching out to others. “They used bourbon barrels that once held maple syrup. The first year they only made a thousand bottles. I traded a few things and got a first-year batch of it. It wasn’t that good but it was fun to connect with people.”
Once you collect, you have to store what you cherish. “I store them underneath my house,” Auton continued. “I have a system that is normally around 55 to 65 degrees. It is ideal. I think some beers, some sours, are less temperamental with aging because they have all that wild yeast in them. But something like imperial stout I’ll be careful with and, like, the higher the alcohol the more comfortable I am in letting it sit for a while.”
As Pederson peels a chart defining “vintage bottles” from the glass front of the Saraveza retro coolers, she explained what you should collect: “The collectible ones, historically, are the big malty ones. The big beers, the hop profile should be mainly used for preservative. The ones that have been collectible in the past are real malt-heavy barleywines, imperial stouts. That’s what everyone was looking for when they began barrel aging them. Over the past couple of years in America, this was always going on in Belgium, the sour beers have gotten bigger. Those are the other beers you can age and hold onto for a long time. The alcohol has to be high enough in it. The alcohol helps preserve it.”
You should also collect at least three bottles of these beers: one to drink now, one to drink in about a year and one to hold for, however long you want. The flavors will change. “They develop, they mature. They get more stone fruit, more caramel or the acid can mellow out. Some of the sour parts can mellow out,” Pederson assured me.
Recently as I considered buying bottles for long storage, I remembered asking Pederson about her favorite collectible. “That was Hair of the Dog Fred. The first batch. I saved it for 13 days.”
She has beers she’s kept longer, but will do the same with those that she did with the Fred; share with friends when she opens them.
*Edouard Manet completed the painting “A Good Glass of Beer” in 1873.
Stories from the print edition of the Oregon Beer Growler.